Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo
Identifieur interne : 000391 ( Main/Exploration ); précédent : 000390; suivant : 000392Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo
Auteurs : Ben Earle [Royaume-Uni]Source :
- Music Analysis [ 0262-5245 ] ; 2006-03.
Abstract
Recent Italian commentary on the twelve‐note music of Luigi Dallapiccola (1904–75) has tended to reject the characteristic image of this composer's work that was established during his lifetime. Notions of a ‘typically Italian lyricism’ or a ‘Mediterranean serialism’ have been jettisoned in favour of an emphasis on the neo‐Webernian ‘rigour’ of his technique. Such revisionism is misguided. Not only does this new approach exhibit a narrow formalism, but it also downplays the very elements that have granted Dallapiccola's twelve‐note music its special position on the periphery of the twentieth‐century repertory. By means of detailed analysis of Dallapiccola's first fully dodecaphonic work, the first of the Cinque frammenti di Saffo (1942), this article mounts a defence of the old critical line. Rather than merely highlighting instances of serial ‘rigour’, the aim is to provide an appreciation of the richness and complexity of the synthesis of stylistic, technical and expressive elements in Dallapiccola's music of this period.
Url:
DOI: 10.1111/j.1468-2249.2006.00232.x
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000980
- to stream Istex, to step Curation: 000895
- to stream Istex, to step Checkpoint: 000359
- to stream Main, to step Merge: 000410
- to stream Main, to step Curation: 000408
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo</title><author><name sortKey="Earle, Ben" sort="Earle, Ben" uniqKey="Earle B" first="Ben" last="Earle">Ben Earle</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:EA08445F448139DB40439CA31883A921D9974F79</idno><date when="2006" year="2006">2006</date><idno type="doi">10.1111/j.1468-2249.2006.00232.x</idno><idno type="url">https://api.istex.fr/document/EA08445F448139DB40439CA31883A921D9974F79/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000980</idno><idno type="wicri:Area/Istex/Curation">000895</idno><idno type="wicri:Area/Istex/Checkpoint">000359</idno><idno type="wicri:doubleKey">0262-5245:2006:Earle B:dallapiccola:s:early</idno><idno type="wicri:Area/Main/Merge">000410</idno><idno type="wicri:Area/Main/Curation">000408</idno><idno type="wicri:Area/Main/Exploration">000391</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo</title><author><name sortKey="Earle, Ben" sort="Earle, Ben" uniqKey="Earle B" first="Ben" last="Earle">Ben Earle</name><affiliation wicri:level="4"><country>Royaume-Uni</country><placeName><settlement type="city">Birmingham</settlement><region type="country">Angleterre</region><region type="région" nuts="1">Midlands de l'Ouest</region></placeName><orgName type="university">Université de Birmingham</orgName></affiliation></author></analytic><monogr></monogr><series><title level="j">Music Analysis</title><idno type="ISSN">0262-5245</idno><idno type="eISSN">1468-2249</idno><imprint><publisher>Blackwell Publishing Ltd</publisher><pubPlace>Oxford, UK</pubPlace><date type="published" when="2006-03">2006-03</date><biblScope unit="volume">25</biblScope><biblScope unit="issue">1‐2</biblScope><biblScope unit="page" from="3">3</biblScope><biblScope unit="page" to="38">38</biblScope></imprint><idno type="ISSN">0262-5245</idno></series><idno type="istex">EA08445F448139DB40439CA31883A921D9974F79</idno><idno type="DOI">10.1111/j.1468-2249.2006.00232.x</idno><idno type="ArticleID">MUSA232</idno></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0262-5245</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Recent Italian commentary on the twelve‐note music of Luigi Dallapiccola (1904–75) has tended to reject the characteristic image of this composer's work that was established during his lifetime. Notions of a ‘typically Italian lyricism’ or a ‘Mediterranean serialism’ have been jettisoned in favour of an emphasis on the neo‐Webernian ‘rigour’ of his technique. Such revisionism is misguided. Not only does this new approach exhibit a narrow formalism, but it also downplays the very elements that have granted Dallapiccola's twelve‐note music its special position on the periphery of the twentieth‐century repertory. By means of detailed analysis of Dallapiccola's first fully dodecaphonic work, the first of the Cinque frammenti di Saffo (1942), this article mounts a defence of the old critical line. Rather than merely highlighting instances of serial ‘rigour’, the aim is to provide an appreciation of the richness and complexity of the synthesis of stylistic, technical and expressive elements in Dallapiccola's music of this period.</div></front></TEI><affiliations><list><country><li>Royaume-Uni</li></country><region><li>Angleterre</li><li>Midlands de l'Ouest</li></region><settlement><li>Birmingham</li></settlement><orgName><li>Université de Birmingham</li></orgName></list><tree><country name="Royaume-Uni"><region name="Angleterre"><name sortKey="Earle, Ben" sort="Earle, Ben" uniqKey="Earle B" first="Ben" last="Earle">Ben Earle</name></region></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/MonteverdiV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000391 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000391 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= MonteverdiV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:EA08445F448139DB40439CA31883A921D9974F79
|texte= Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo
}}
| This area was generated with Dilib version V0.6.21. |  |